Sam Quinn and Jill Andrews met in 1999. When the everybodyfields released their first album in July of 2004, half-way there:electricity and the South, they introduced their listeners to a quietly intense corner of the listening room. The same sound, deeply rooted in americana, bluegrass, and classic country, fills their sophomore release, Plague of Dreams, a folk ocean with crystal blue waters that run deep. Here you still find the slow, sad sounds of halfway there, but there is a new strength to the sound, a vein of rock and punk that is so well hidden, you don’t even know it’s there.

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