Rene Marie hates bios.
Hates them with a passion.
She hates writing them, thinking about writing them and then reading what she’s written. For her, it is a serious bummer. She cannot escape the nagging thought that bios are nothing more than an inflated description of places she’s sung, music she’s recorded and accolades she’s garnered.
Her final analysis of all of it boils down to, “So what? Who cares? What does any of this have to do with the music I compose and sing today? Or the one-woman shows I write? The workshops I conduct?”

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