Gerald Finzi

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  • classical
  • contemporary classical
  • english
  • british
  • romantic
Gerald Raphael Finzi (1901-1956) was an English composer, whose popularity has increased considerably in the years since his death. Born on 14th July 1901 in London, the son of an Italian Jewish father and a German Jewish mother, Finzi nevertheless became one of the most characteristically English composers of his generation. Despite being an agnostic, he wrote some inspired and imposing Christian choral music.

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Songs

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    Seven Partsongs, Op. 17: VII. Wherefore tonight so full of care

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    Seven Unaccompanied Part Songs: No. 1 I Praise the Tender Flower, Op. 17

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    Seven Unaccompanied Part Songs: No. 3 My Spirit Sang All Day, Op. 17

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    Seven Unaccompanied Part Songs: No. 4 Clear and Gentle Stream, Op. 17

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    Seven Unaccompanied Part Songs: No. 5 Nightingales, Op. 17

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    Seven Unaccompanied Partsongs, Op. 17: I. I praise the tender flower

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    Seven Unaccompanied Partsongs, Op. 17: II. I have heard the flowers that fade

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    Seven Unaccompanied Partsongs, Op. 17: III. My spirit sang all day

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    Seven Unaccompanied Partsongs, Op. 17: IV. Clear and gentle stream

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    Seven Unaccompanied Partsongs, Op. 17: V. Nightingales

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    Seven Unaccompanied Partsongs, Op. 17: VI. Haste on, my joys!

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    Seven Unaccompanied Partsongs, Op. 17: VII. Wherefore tonight so full of care

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    Since We Loved

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    Suite from "Love's Labours Lost", Op 28: I. Introduction: Allegro vigoroso

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    Suite from "Love's Labours Lost", Op 28: II. "Moth": Allegro scherzando

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    Suite from "Love's Labours Lost", Op 28: III. Nocturne: Allegro comodo

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    Suite from "Love's Labours Lost", Op 28: IV. The Hunt: Allegro molto e vivace

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    Suite from "Love's Labours Lost", Op 28: IX. Soliloquy III: Allegretto

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    Suite from "Love's Labours Lost", Op 28: V. Dance: Allegretto grazioso

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    Suite from "Love's Labours Lost", Op 28: VI. Quodlibet (Clowns): Vivo

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    Suite from "Love's Labours Lost", Op 28: VII. Soliloquy I: Grazioso

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    Suite from "Love's Labours Lost", Op 28: VIII. Soliloquy II: Adagio

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    Suite from "Love's Labours Lost", Op 28: X. Finale: Allegro maestoso

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    The Dance Continued

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    The Fall of the Leaf (Elegy)

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    Thou Didst Delight My Eyes

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    Thou didst delight my eyes, Op. 32

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    Three Anthems, Op. 27 No. 1: My Lovely One

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    Three Anthems, Op. 27 No. 2: God is gone up

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    Three Anthems, Op. 27 No. 3: Welcome sweet and sacred feast

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    Three Short Elegies, Op. 5: I. Life a right shadow is

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    Three Short Elegies, Op. 5: II. This world a hunting is

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    Three Short Elegies, Op. 5: III. This life, which seems so fair

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    Three Soliloquies from "Love's Labour Lost", Op. 28: Soliloquy I. The King's Poem

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    Three Soliloquies from "Love's Labour Lost", Op. 28: Soliloquy II. Longaville's Sonnet

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    Three Soliloquies from "Love's Labour Lost", Op. 28: Soliloquy III. Dumaine's Poem

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    To a Poet, Op. 13a: I. "To a poet a thousand years hence"

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    To a Poet, Op. 13a: II. "On parent knees"

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    To a Poet, Op. 13a: III. "Intrada"

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    To a Poet, Op. 13a: IV. "The birthright"

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    To a Poet, Op. 13a: V. "June on Castle Hill"

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    To a Poet, Op. 13a: VI. "Ode on the rejection of St Cecilia"

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    Two Sonnets for Tenor and Orchestra: I. When I consider

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    Two Sonnets for Tenor and Orchestra: II. How soon hath Time

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    Welcome sweet and sacred feast, Op. 27, No. 3

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    White-flowering days, Op. 37

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