Erich Wolfgang Korngold

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  • classical
  • soundtrack
  • 20th century classical
  • opera
  • contemporary classical
Erich Wolfgang Korngold (1897-1957) was a composer of operas, songs, orchestral works, and -most notably - film scores. Kornhold was born on 29th May 1897 in a Jewish home in Brünn (Brno), Austria–Hungary, now the Czech Republic. He was the second son of the eminent music critic Julius Korngold. A child prodigy, Erich played his cantata Gold to Gustav Mahler in 1906; Mahler called him a "musical genius", and recommended study with the composer Alexander von Zemlinsky.

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Songs

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    Drei Gesänge, Op. 18: 2. Tu ab den Schmerz

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    Drei Gesänge, Op. 18: 3. Versuchung

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    Duel, Victory, and Epilogue

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    Elisabeth die Erste: Elisabeth

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    End Cast

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    Epilogue

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    Escape From the Castle

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    Escape From the Gallows

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    Escape Me Never: Love for Love

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    Feast in the Forest

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    Flirt - Feast - Poor People's Feast - Gold

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    Friar Tuck and Robin Hood

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    Garden Scene (from "Much Ado About Nothing")

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    Gefasster Abschied, Op. 14, No. 4

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    Gefaßter Abschied, Op. 14 No. 4

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    Glück, das mir verblieb

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    Glück, Das Mir Verblieb - Mariettas Lied

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    Glückwunsch, Op. 38 No. 1

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    Juarez: Carlotta

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    Juarez: Main Title

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    Juarez: Rebellion

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    Juarez: The Death of Maximilian

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    King Richard's Theme

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    King's Row: Grandmother

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    King's Row: Main Title

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    King's Row: Randy and Drake

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    King's Row: The Children

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    Kings Row

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    Kings Row: End Title

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    Kings Row: Finale

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    Kings Row: Grandmother

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    Kings Row: Ice House

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    Kings Row: Main Title

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    Kings Row: Paris and Cassie

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    Kings Row: Parris Comes Home

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    Kings Row: Randy and Drake

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    Lady Marian / Love Theme

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    Liebesbriefchen, Op. 9 No. 4

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    Little John and Robin Hood

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    Love Scene

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    Main Title

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    Main Title - Muted Fanfare

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    Marian Caught / King Richard and Robin Hood

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    Much Ado About Nothing Op. 11 - Garden Scene

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    Much Ado About Nothing, Op. 11 - 'Garden Scene'

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    Much Ado about Nothing, Op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace

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    Much Ado about Nothing, Op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march

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    Much Ado about Nothing, Op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow)

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    Much Ado about Nothing, Op. 11: IV. Masquerade: Hornpipe: Animato

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    Much: The Knife Fight

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