Guillaume Dufay

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  • renaissance
  • early music
  • classical
  • medieval
  • polyphony
Guillaume Dufay (c.1400 -1474) was an early renaissance composer, and the first of many polyphonic masters from the Low Countries (modern Belgium, the Netherlands, and northern France). He was not an innovator, with the exception of a few late works, and wrote within a stable tradition. He was one of the last composers to make use of mediaeval techniques such as isorhythm, but one of the first to use the harmonies, phrasing, and expressive melodies characteristic of the early Renaissance.

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Songs

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    Bon jour, bon mois, bon an et bonne estraine (rondeau for 3 voices)

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    Bonjour bon mois

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    C'est bien raison de devoir essaucier (ballade for 3 voices)

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    Ce jour de l'an

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    Ce jour de l'an (Ensemble Unicorn feat. conductor: Michael Posch)

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    Ce jour de l'an (rondeau for 3 voices)

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    Ce jour le doibt, aussi fait la saison (ballade for 3 voices)

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    Ce moys de may

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    Ce moys de may (rondeau for 3 voices)

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    Ce moys de may (The Early Music Consort of London)

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    Ce Moys de May (V. A, S. 129) (The Medieval Ensemble of London, Peter Davies, Timothy Davies)

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    Collecta

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    Conditor alme siderum, Part 1 (tenors: Bernard Michaelis & Hans Joachim Rotzsch, baritone: Willi Gesell, conductor: Gerhard Schmidt-Gaden)

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    Conditor alme siderum, Part 2 (tenors: Bernard Michaelis & Hans Joachim Rotzsch, baritone: Willi Gesell, conductor: Gerhard Schmidt-Gaden)

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    Conditor alme siderum, Part 3 (tenors: Bernard Michaelis & Hans Joachim Rotzsch, baritone: Willi Gesell, conductor: Gerhard Schmidt-Gaden)

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    Craindre vous vueil, doulce dame de pris (rondeau for 3 voices)

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    Credo

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    Credo (Bol. Q15 no. 108)

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    Credo in unum Deum

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    De ma haulte et bonne aventure (virelai for 3 voices)

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    Departes vous, Malebouche et Envie (rondeau for 3 voices; attributed; also attributed to Ockeghem)

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    Deus in adiutorium meum

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    Dieu gard la bone sans reprise (rondeau for 3 voices)

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    Dona gentile, bella come l'oro (rondeau for 3 voices)

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    Dona i ardenti ray (ballata for 3 voices)

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    Donnés l'assault

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    Donnés l'assault a la fortresse (rondeau for 3 or 4 voices)

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    Du tout m'estoie abandonné (rondeau for 3 voices)

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    Ecclesiae Militantis

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    Ecclesie militantis

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