Ludwig van Beethoven

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  • classical
  • instrumental
  • composers
  • classic
  • romantic
Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a composer of the transitional period between the late Classical and early Romantic eras. He was born in Bonn, modern day Germany.
Beethoven is widely regarded as one of the greatest masters of musical construction, sometimes sketching the architecture of a movement before he had decided upon the subject matter. He was one of the first composers to systematically and consistently use interlocking thematic devices, or “germ-motives”, to achieve unity between movements in long compositions.

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Songs

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    "Abendlied unterm gestirnten Himmel", WoO 150

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    "Abschiedsgesang an Wiens Bürger", WoO 121

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    "Ah! perfido", Op. 65

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    "Ah, perfido!", Op. 65

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    "Alles Gute", WoO 179

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    "Als die Geliebte sich trennen wollte", WoO 132

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    "An die Geliebte", WoO 140 (2nd setting)

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    "An die Geliebte", WoO 140 (3rd setting)

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    "An die Hoffnung", Op. 94 (2nd Setting)

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    "An einen Säugling", WoO 108

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    "An Laura", WoO 112

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    "An Minna", WoO 115

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    "Andenken", WoO 136

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    "Appassionata": 1. Allegro assai

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    "Appassionata": 2. Andante con moto -- attacca

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    "Appassionata": 3. Allegro, ma non troppo -- Presto

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    "Archduke" Trio Op.97 2nd Movement

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    "Ariette (Der Kuß)", Op. 128

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    "Ars longa, vita brevis", WoO 170

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    "Ars longa, vita brevis", WoO 192

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    "Ars longa, vita brevis", WoO 193

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    "Bei labbri, che Amore", WoO 99 No. 1/Hess 211

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    "Bester Herr Graf, Sie sind ein Schaf!", WoO 183

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    "Bester Magistrat, lhr friert!", WoO 177

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    "Brauchle, Linke", WoO 167

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    "Chi mai di questo core", WoO 99 No. 2/Hess 214

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    "Choral" Fantasy (excerpt)

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    "Coriolan" Overture, Op. 62

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    "Da ist das Werk", WoO 197

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    "Das Geheimnis" (Liebe und Wahrheit), WoO 145

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    "Das liebe Kätzchen", Hess 133

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    "Das Reden", WoO 168 No. 2

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    "Das Schöne zu dem Guten!", WoO 203

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    "Das Schöne zum Guten!", WoO 202

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    "Das Schweigen", WoO 168 No. 1

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    "Der Bardengeist", WoO 142

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    "Der edle Mensch", WoO 151

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    "Der freie Mann" (with unison chorus), WoO 117

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    "Der Gesang der Nachtigall", WoO 141

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    "Der Jüngling in der Fremde", WoO 138

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    "Der Knabe auf dem Berge", Hess 134

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    "Der Liebende", WoO 139

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    "Der Mann von Wort", Op. 99

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    "Des Kriegers Abschied", WoO 143

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    "Die laute Klage", WoO 135

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    "Die Weihe des Hauses" Overture, Op. 124

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    "Doktor sperrt das Tor dem Tod", WoO 189

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    "Edel sei der Mensch", WoO 185

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    "Egmont" Overture, Op. 84

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    "Egmont" Overture, Op. 84: Sostenuto ma non troppo - Allegro

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