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Thomas Tomkins
Thomas Tomkins (1572–1656) was a Welsh-born composer of Cornish origins of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School he was a skilled composer of keyboard and consort music. He was born in St David's in Pembrokeshire. His father was also a musician, a vicar choral of the cathedral of St Davids, and organist there; his three half-brothers were musicians as well, but none attained the fame of Thomas. In 1596 he was appointed as a choral instructor at Worcester Cathedral.
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Songs
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(Organ) Voluntary (in D)
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(Without Title) (No. 68)
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A Fancy 'For the Vyalls'
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A Sad Pavan - For These Distracted Times
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A Sad Pavan for these distracted times
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A Sequence of English 16th Century Danced Music: IV. Pavan (arr. Elgar Howarth)
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A Short Verse
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A Short Verse for Edward Thornburgh
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A Substantial Verse
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A Verse of Three Parts
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Above the stars my saviour dwells
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Above the Stars My Saviour Dwells (Rose Consort of Viols and Red Byrd)
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Almain for 4 viols in F Major (Rose Consort of Viols)
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Almain in F major (Rose Consort of Viols)
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Almighty God, the fountain of all wisdom
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Another Short Verse
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Arise, O Lord God, lift up thine hand
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Barafostus' Dream
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Behold, the hour cometh and now is
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Clarifica Me Pater
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Fancy
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Fancy - For Two To Play
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Fancy for Two To Play in A minor (harpsichord: Timothy Roberts)
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Fancy for Two to Play on One Virginall or Organs
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Fantasia (6 viols) (Rose Consort of Viols)
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Fantasia No. 1 (Rose Consort of Viols)
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Fantasia No. 12 (Rose Consort of Viols)
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Fantasia No. 14 (Rose Consort of Viols)
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Fantasy a 6
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Fortune My Foe
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Funeral Sentences
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Galliard
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Galliard - Earl Strafford
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Galliard / Earl Strafford
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Galliard of three parts
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Galliard, Thomas Simpson (Rose Consort of Viols feat. organ: Timothy Roberts)
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Great and marvellous are thy works
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Ground
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In Nomine
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In Nomine (No. 12)
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In Nomine (No. 8)
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In Nomine (No. 9)
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In Nomine (organ: Timothy Roberts)
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In Nomine II (Rose Consort of Viols)
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Magnificat (The Fifth Service)
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Miserere
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Miserere (No. 13)
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Miserere (No. 14)
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Miserere (No. 15)
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Miserere (No. 17)