Johann Sebastian Bach

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  • classical
  • baroque
  • instrumental
  • composers
  • german
Johann Sebastian Bach (31 March [O.S. 21 March] 1685, Eisenach – 28 July 1750, Leipzig) was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today.

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Songs

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    "Ach bleib' bei uns, Herr Jesu Christ", BWV 649

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    "Air on a G String" (from Suite III), BWV 1068

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    "Air on a G String" From Suite No.3

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    "Air"

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    "Air" from Suite No. 3 for Orchestra

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    "Allein Gott in der Hoh sei Ehr" BWV 664

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    "An den Wasserflüssen Babylon", BWV 653 (Choral für Orgel)

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    "An Wasserflussen Babylon" BWV 653

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    "Anna Magdalena Notebook": Minuet

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    "Aria variata alla maniera italiana" in A Minor, BWV 989

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    "Bist du bei mir" aria BWV 508

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    "Brandenburg Concerto No. 6" a. [Allegro]

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    "Brandenburg" Concerto No. 2 in F major, BWV 1047: I. (Allegro)

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    "Brandenburg" Concerto No. 2 in F major, BWV 1047: II. Andante

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    "Brandenburg" Concerto No. 2 in F major, BWV 1047: III. Allegro assai

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    "Brandenburg" Concerto No. 3 in G major, BWV 1048: I. (Allegro)

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    "Brandenburg" Concerto No. 3 in G major, BWV 1048: II. Allegro

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    "Brandenburg" Concerto No. 5 in D major, BWV 1050: I. Allegro (1)

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    "Brandenburg" Concerto No. 5 in D major, BWV 1050: II. Affettuoso

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    "Brandenburg" Concerto No. 5 in D major, BWV 1050: III. Allegro (2)

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    "Brandenburg" Concerto No. 6 in B-flat major, S. 105: II. Allegro

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    "Christ ist ertanden", BWV 627: I.

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    "Christ ist ertanden", BWV 627: II.

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    "Christ ist ertanden", BWV 627: III.

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    "Christ lag in Todesbanden", BWV 625

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    "Christ lag in Todesbanden", BWV 695

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    "Christ lag in Todesbanden", BWV 718

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    "Christ, der du bist der helle Tag", BWV 1120

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    "Christe, der du bist Tag und Licht", BWV 1096

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    "Das wohltemperierte Klavier", II. Teil, BWV 893: Präludium H-moll (arr. Siloti)

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    "Der du bist dem Vater gleich" chorale BWV 36

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    "Die Kunst der Fuge" BWV 1080: Canon alla ottava

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    "Die Kunst der Fuge" BWV 1080: Kontrapunkt Nr. 1

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    "Dorische" Toccata und Fuge BWV 538

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    "Ehre sei dir Christe, der du leidest Not", BWV 1097

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    "Erbarm dich mein, o Herre Gott", BWV 721

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    "Erschienen ist der herrliche Tag", BWV 629

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    "Erstanden ist der heil'ge Christ", BwV 628

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    "Es ist gewisslich an der Zeit", BWV 307 et 734: Choral-Prélude

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    "Fantasie duobus subjectis" in G Minor (BWV 917)

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    "Fantasie über ein Rondo" in C Minor (BWV 918)

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    "Gigue" Fugue in G

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    "Goldberg" Variations, BWV 988

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    "Goldberg" Variations, BWV 988: Theme & Variations 1-5

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    "Gott durch deine Güte" oder "Gottes Sohn ist kommen", BWV 724

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    "Herz und Mund" chorale from BWV 147

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    "Herzlich tut mich verlangen" organ chorale BWV 727

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    "Heut' triumphieret Gottes Sohn", BWV 630

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    "Ich liebe den Hochsten von ganzem Gemute", Cantata, BWV 174: Sinfonia

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    "Ich ruf zu Dir, Herr Jesu Christ" Orgel-Choralvorspiel, BWV 639 (f. Klavier bearb. v. F. Busoni)


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