Johann Sebastian Bach

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  • classical
  • baroque
  • instrumental
  • composers
  • german
Johann Sebastian Bach (31 March [O.S. 21 March] 1685, Eisenach – 28 July 1750, Leipzig) was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today.

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Songs

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    'Wachet Auf, Ruft Uns Die Stimme' (Sleeepers Awake), BWV 645

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    (Chor:) Liebster Gott, wann werd' ich sterben?

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    (Recitativo)

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    (XII) Contrapunctus a 4 - inversus

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    (XII) Contrapunctus a 4 - rectus

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    (XIII) Contrapunctus a 3 - inversus

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    (XIII) Contrapunctus a 3 - rectus

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    (XIV) Canon alla Ottava

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    (XV) Canon per Augumentationem in Contrario Motu

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    (XVI) Canon alla Decima in Contrapuncto alla Terza

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    (XVII) Canon alla Duodecima in Contrapuncto alla Quinta

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    - A - 2 Larghetto

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    - A - Allegro ma non tanto

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    - Allemande

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    - Bourrée

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    - Courante

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    - Dm - Adagio

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    - Dm - Allegro

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    - Double

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    - Fugue

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    - Gavotte en rondeau

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    - Gavotte I & II (en rondeau)

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    - Gigue

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    - Loure

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    - Menuet I & II (da capo Menuet I)

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    - Sarabande

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    --Oster-Oratorium BWV 249 - Sinfonia

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    ... II Adagio

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    ... III Presto

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    1. Chorus - O Lord, our Sovereign

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    10. Recitative - That disciple

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    10. Sinfonia

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    11. Choral - Who hath beaten Thee thus

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    12.Choral - Brich an, o Schönes Morgenlicht

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    12a. Recitative - Now Anna had sent him bound

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    12b. Chorus - Art thou not also one of his disciples ?

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    12c. Recitative - He denied it

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    13 Fuge 12 F-Moll

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    13. Aria (Tenor) - O, my senses

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Theme

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation I

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation II

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation III

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation IV

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation IX

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation V

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation VI

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation VII

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation VIII

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    14 Canons on the First Eight Bass Notes of the Aria Ground from the 'Goldberg Variations', BWV 1087: Variation X

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