Japanese composer Toshiya Tsunoda (1964) has introduced innovative concepts in the arts of "field recording" and of "collage". His field recordings consist in capturing the sound of inert matter, which sounds like a contradiction until one studies Physics and realizes that everything radiates vibrations. Each object has a "sound": it is just a matter of finding a way to render that sound so that it can be appreciated by the human ear. Tsunoda's music is thus one of minimal subsonic vibrations.

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