The story began as a solo act, with Davis piecing together ideas he had swimming in his head in the wake of his former bands dissolution. He put down dense orchestral tracks that resonated with a fuzzy melancholy, and featured vocals sung through telephones and megaphones. Though he was making headway recording material on his own, it became clear to Davis that he’d be short a pair of hands if he ever wanted to replicate the recordings on stage. Enter Schultz, a French born but American raised drummer that had just seen his own band call it quits.

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