Milton Babbitt

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  • contemporary classical
  • experimental
  • avant-garde
  • classical
  • american
Composer Milton Babbitt's influence on contemporary music is inestimable. His innovative use of the human voice, his infusions of electronic tape sounds into live performances, his serial compositional techniques and pioneering work in synthesized sound, all broke new ground in the music world. His compositions, with their twelve-tone structures, complex mathematical tonal combinations, and synthetic sounds, offered up with Babbitt's cerebral explanations, evince serious purpose, energy, and wit.

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Songs

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    All Set, for jazz ensemble

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    Arie da Capo

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    Canonical Form

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    Composition for Guitar

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    Duet

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    Ensembles for Synthesizer

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    Ensembles for Synthesizer [excerpt]

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    It Takes Twelve to Tango

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    Lagniappe

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    Occasional Variations

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    Partitions

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    Philomel (edit)

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    Philomel (soprano: Bethany Beardslee)

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    Philomel, Section I 1

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    Philomel, Section I 2

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    Philomel, Section I 3

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    Philomel, Section I 4

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    Philomel, Section I 5

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    Philomel: Section I 1

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    Philomel: Section I 2

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    Philomel: Section I 3

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    Philomel: Section I 4

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    Philomel: Section I 5

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    Philomel: Section I, Part 1 (soprano: Bethany Beardslee)

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    Philomel: Section I, Part 2 (soprano: Bethany Beardslee)

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    Philomel: Section I, Part 3 (soprano: Bethany Beardslee)

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    Philomel: Section I, Part 4 (soprano: Bethany Beardslee)

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    Philomel: Section I, Part 5 (soprano: Bethany Beardslee)

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    Phonemena for soprano & piano (soprano: Lynne Webber, piano: Jerry Kuderna)

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    Phonemena for soprano & tape (soprano: Lynne Webber)

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